ANGELS
OF DEATH
A film by Leo de Boer
Director: Leo de Boer
Camera: Peter Brugman
Sound: Gert-Jan Miedema
Editor : Berenike Rozgonyi
Producent: Pieter van Huystee Film & TV
Premiere: 1997
Length: 56 minutes
Format: 35 mm (English subtitled), 1:1.66, 25 fps, Dolby SR
Also available as Digi Beta, Beta SP en VHS
The area
around the Russian village Mjasnoi Bor - 100 kilometres south-east of
St. Petersburg - was once a prosperous cattle breeding region. Now it
is desolate and abandoned. And it carries a terrible stigma. Tens of
thousands of dead and unburied soldiers lie scattered in the swamp near
the village. They were part of the Second Shock Army under General Vlasov's
command. In the spring of 1942, they were ordered to break the German's
siege of former Leningrad. They were forced back into the swamp, surrounded
and defeated. However, there is no mention of this in official Soviet
history. Although all Russians know this is the place where the traitor
Vlasov deserted his army and defected to the Germans. Even in modern
day Russia the word "Vlasovite" is a synonym for super-traitor.
Every record of Vlasov's actions during the war, including this operation
at Leningrad, have been erased since his defection. The 70,000 soldiers
under his command in the swamps at Mjasnoi Bor were also erased. The
families of these thousands of abandoned dead soldiers had no choice
than to accept that their father, brother or husband had been branded
as traitors and collaborators. But now that the swamp's secrets are
gradually being unveiled, another story unfolds; most soldiers appear
to have fought to the death.
For several years now the 'Angels of Death' are allowed to do their
work, after initially having been obstructed by the authorities. Every
year a group of motivated people (often students and relatives of the
deceased soldiers) gathers at the swamp from all over the former Soviet-Union.
Their aim is to expose this neglected injustice before time and the
elements make it impossible. The project now has 150 participants. At
the beginning of May - when the ground is no longer frozen and there
are as yet no mosquitoes - they painstakingly explore part of the 70
square kilometres the swamp measures. Using sticks, knives and their
fingers the soldiers' relatives delve, metre by metre, into the ground.
They're not interested in the weapons and debris lying all around. They're
looking for more personal things. Especially bones and skulls. However,
the identification of the victims is not an easy task. The Red Army
hardly ever used identification plates. Therefore, the search concentrates
particularly on personal belongings such as spoons and food tins in
which the soldiers scratched their names.
The 'Angels' also look for letters in which the trapped soldiers tried
to inform their beloved about their gruesome fate. These letters are
often badly decomposed and hardly legible. But sometimes they provide
the last clue to a tragic puzzle. Then the 'Angels' succeed in comforting
a fatherless family and end their insecurity. Children and grandchildren
often rush to Mjasnoi Bor in order to be present on the 9th of May when
the unknown soldiers are taken to their final resting-place. This emotional
reunion gives them the opportunity to pay their fathers and grandfathers
the respect they had to do without for more than half a century.
In ANGELS OF DEATH we experience the fate of these forgotten deaths
as we hear their personal poems and messages. We follow the diggers
who are delving in the mud for their memories. Memories that are tainted
by the dark shadow of a Collective Memory that dictated what was to
be remembered - and what was not...